DIGITAL PHOTOGRAPHY & IMAGING | WEEK 3

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DIGITAL PHOTOGRAPHY & IMAGING | WEEK 3

NAME: Aishath Eshal Shihab 
I.D: 0381863
COURSE:  Bachelor of Design (Honours) in Creative Media
GROUP: 1 

LECTURE

INTRODUCTION TO PHOTOSHOP 2

  1. Lasso tool
    • The Lasso Tool allow you to draw and pinpoint specific areas of a document.
    • There's 3 different options:
      • Lasso
      • Polygonal Lasso
      • Magnetic Lasso 
    • How to use Lass Tool 

  2. Pen tool
    • To create a path from scratch, the pen tool is the most common option. It is the way that you add these points and the way you drag the tool as you create the points that determines how they will look.
    • Variations:
      • Straight line paths
      • U shaped curves
      • Simple S curve
      • Complex S curve 
    • How to use Pen Tool

  3. Layering 
    • Layers are different images stacked on top of each other. You can use each layer without affecting another one to make adjustments. Together they form one final image.
    • The advantage of using Layers is you can save a Photoshop file with all the layers included. This means you can use layers for non-destructive editing. Your adjustments will never destroy the original image.
    • How to open images as layers


     

TUTORIAL

DEMO:

  1. Blending Mode

  2. Paths
  3. Masking
  4. Layering


 PRACTICAL

  1. Download all of the images here to your computer: https://drive.google.com/drive/folders/1cGcbENrjSksAaMQK9np2jb6ZaM7Y-81l?usp=sharing
  2. Follow this tutorial demo as reference to create your digital collage: https://youtu.be/BlW7F-fTsbE
    VIDEO DEMO: https://drive.google.com/file/d/1COHQ3mjTiogWmSg8KqOMEmoYK0BJ2M8v/view?usp=sharing
  3. Create 3 different composition digital collages from the images that you’ve downloaded.
  4. Create A4 canvas size  (vertical) on Photoshop and start to do the compositions.
  5. Take 3 photo of your digital collage compositions  and insert it on the section below
  6. Submit (Turn In) this file on Google Classroom 

COMPOSITION #1


 COMPOSITION #2


 COMPOSITION #3

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